Review: Eternal Requiems (Omega Ensemble)
A gripping collaboration, brimming with ideas, from the Omega Ensemble and The Australian Voices.
November 6, 2019
Review: Skride Piano Quartet (Musica Viva Australia)
New superstar group is much more than a sisters act.
November 5, 2019
Review: Nina Stemme Returns (Tasmanian Symphony Orchestra)
A dazzling evening of music making from all involved.
November 4, 2019
Review: Bonachela / Obarzanek (Sydney Dance Company)
A joyous 50th anniversary celebration including alumni and audience members.
November 4, 2019
Review: Lyrical Reflections (Southern Cross Soloists)
SXS get up close and personal with a mixed bag of chamber works.
November 4, 2019
Review: Antigone (Queensland Theatre)
A stirring adaptation of Sophocles’ tragedy, galvanised by exceptional performances from its two leading actors.
November 4, 2019
Review: Outwitting the Devil (Akram Khan Company, OzAsia Festival)
Another ancient legend for modern times from master storyteller Akram Khan.
November 3, 2019
Review: Tchaikovsky and Beethoven (Queensland Symphony Orchestra)
Adversity led to invention in chamber-style Tchaikovsky, when Alondra de la Parra had to withdraw sick at the last minute.
November 3, 2019
Review: Australian Series: Renewal (Canberra Symphony Orchestra)
A wonderful concert by the CSO Wind Quintet with Diana Doherty, including a stunning new work by Deborah Cheetham.
November 1, 2019
Review: Zauberland (Lincoln Center, New York)
Julia Bullock is haunting in Katie Mitchell's exploration of Schumann's Dichterliebe and a whole lot more.
November 1, 2019
Review: Quatuor Ébène (Melbourne Recital Centre)
An utterly superlative evening of chamber music by one of the world’s great quartets.
October 31, 2019
Review: Missed Nuance (Niv Novak)
World-class dancers and stunning costumes combine in a new ballet art film.
October 31, 2019
Review: The Glad Tomorrow (Katie Noonan, Australian String Quartet)
A moving evening of music and poetry celebrating the work of Oodgeroo Noonuccal.
October 29, 2019