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Classical Music, Orchestral
Live Review

Review: Pandemonium (Tasmanian Symphony Orchestra)

A weird alternative world: a roller coaster of horror and humour.

October 21, 2019
Classical Music, Opera
Live Review

Review: The Enchanted Pig (Gertrude Opera, Yarra Valley Opera Festival)

A joyful production that demonstrates how it's possible to be world class while working on a shoestring.

October 21, 2019
Opera
Live Review

Review: Madama Butterfly (Metropolitan Opera, New York)

Hui He soars as Minghella's thoughtful Butterfly, though all is not at ease down below.

October 21, 2019
Classical Music, Opera
Live Review

Review: The Marriage of Figaro (Opera Australia)

A rich, confident revival helmed by strong performances.

October 19, 2019
Theatre
Live Review

Review: Billy Elliot The Musical (Sydney)

A powerful musical with a serious political message, that is joyously uplifting and entertaining at the same time.

October 19, 2019
Classical Music, Orchestral
Live Review

Review: Donald Runnicles conducts Bruckner Symphony No.7

Donald Runnicles and the SSO pair Messiaen and Bruckner in a concert that touches on the divine.

October 18, 2019
Classical Music, Orchestral
Live Review

Review: Mozart by Candlelight (Perth Symphony Orchestra)

A full-length ode to the music and legacy of Mozart.

October 18, 2019
Dance
Live Review

Review: Token Armies (Chunky Move, Melbourne International Arts Festival)

A radical work featuring robots and live animals from Chunky Move’s new director.

October 17, 2019
Chamber, Classical Music
Live Review

Review: Nevermind (Musica Viva Australia)

French HIPsters deliver style and refinement.

October 16, 2019
Classical Music
Live Review

Review: Hans Otte’s Book of Sounds (Bargemusic, Brooklyn)

Ivan Ilić offers a meditative night on the water despite a windy night in Brooklyn.

October 15, 2019
Classical Music
Live Review

Review: A Thousand Thoughts (Kronos Quartet, Melbourne International Arts Festival)

Kronos and its audience in search of lost time(s).

October 14, 2019
Theatre
Live Review

Review: Fully Sikh (Black Swan State Theatre Company, Barking Gecko)

The theatre debut of spoken word performer Sukhjit Kaur Khalsa has a few teething problems but is an enjoyable, lyrical piece.

October 14, 2019
Classical Music, Orchestral
Live Review

Review: Ray Chen Returns (Queensland Symphony Orchestra)

The violin star makes his return to Queensland with virtuoso showpieces.

October 14, 2019

Posts pagination

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