Review: Rhapsody in Chicago Blues with Tim Barton (Adelaide Fringe)
A tasty, pleasant, Sunday afternoon chocolate box of classical, blues and ragtime piano.
A tasty, pleasant, Sunday afternoon chocolate box of classical, blues and ragtime piano.
Sir Andrew Davis brings his trade-mark warmth of string tone and precision to the MSO's season opener with Stuart Skelton and Nelson Freire.
A uniquely compelling, unforgettable coalescence of dance and installation.
Brett Dean’s intense, immersive new opera makes for a thrilling start to this year’s Adelaide Festival.
Nicole Car’s radiant debut as Violetta earns a rapturous standing ovation in a very special night.
Two refined ensembles demonstrate the beauty of English choral singing.
A buoyant, life-affirming concert from Lisa Batiashvili and the SSO.
Taikoz and the SSO whip up a storm in the concert hall.
Sabine Meyer and the Alliage Quintett kick off Musica Viva's 2018 with a carnival of orchestral favourites.
Jordi Savall brought a subtle, understated warmth to this rich exploration of musical heritage.
So spiritual that it could have shaken the most ardent of atheists.
Emily Barclay gives a quietly gripping performance in this powerful play about family violence.
Truly accomplished playing and a satisfying program make this a fitting start to the year.