Review: American Song (Flying Penguin Productions & State Theatre Company South Australia)
Brilliantly delivered, this searing monodrama examines the personal impact of America's gun culture.
Brilliantly delivered, this searing monodrama examines the personal impact of America's gun culture.
A voice for the generations, Samara Joy shows us what all the fuss is about.
Aged 85, Gary Bartz remains a master musician, a seeker of new influences and inspirations.
Completely daft and deliciously funny, this musical tribute to Australia's greatest horse (yeah, Kiwis ... we know) is a winner straight out of the gate.
A digital worst-case scenario supercharged with class anxiety, cliffhanger moments and jaw-dropping reveals.
Convincing performances and a visually arresting production thrust Shakespeare’s tragedy into the contemporary world.
Bill Frisell brings a symphonic sweep to a spellbinding masterclass with his telepathic trio.
An intense but troubled love affair reflects the pain of traumatised Country in John Harvey's road-movie-like two-hander.
Bavouzet’s musicianship goes far beyond mere mastery of the technical difficulties in Ravel's works.
No dead wood in this sharper, funnier and even more unruly reprise of the smash-hit musical about a frontier square peg and her search for love.
A rare chance to catch the uninhibited playing of this virtuoso jazz pianist outside a group setting.
Even if the plot is dubious, it’s all about the music and the voices. And oh, what voices.
An evening of "intense joy and celebration" as Pekka Kuusisto makes his TSO debut.