Review: Dvořák’s Requiem (Sydney Philharmonia Choirs)
In Brett Weymark and Sydney Philharmonia Choirs, Dvořák’s rarely performed Requiem has found convincing advocates.
In Brett Weymark and Sydney Philharmonia Choirs, Dvořák’s rarely performed Requiem has found convincing advocates.
Annie Baker’s intriguing play keeps you gripped from the minute the red curtain is drawn to reveal the kitsch, slightly weird B&B in Gettysburg.
Fun, high-energy entertainment, from various aerial wonders to a mesmerising hula-hoop act.
An accomplished rendition of the iconic ballet, but the production needs an update to avoid racial stereotyping.
The SSO strings take the spotlight as Vladimir Ashkenazy returns for a concert of English classics.
Bel canto specialist Helena Dix leads Norma’s long awaited return to Melbourne.
With Johnny Carr and Geraldine Hakewill shining in the central roles, Simon Phillips' production is the real deal.
Intimate demonstration of the piano’s capabilities, but odd acoustics frustrate.
Such a sublimely beautiful production, it was hard to tear your eyes away.
Eleven-year old violinist Christian Li proves to be something rather extraordinary in this ABO concert.
A glittering new musical comedy about a poorly understood and often underestimated force of nature – teenage girls in love.
Lucy Bell and Simon Gleeson give febrile performances in Hilary Bell’s gothic thriller.
Excellent vocal and dramatic performances in an updated production that preserves Offenbach’s deliciously frothy music and biting satire.