An ambitious concert that sought to capture whole worlds.

The AFCM caps off the Sunset Series with a cracker of a concert inspired by Jewish music.

The time seems to have come for this 1983 pastoral Gothic chamber opera by Ross Edwards and Dorothy Hewitt.

Kathryn Stott's musical sorbet proves a meal on its own.

A smartly programmed conversation between baroque and 20th-century music.

Van Badham's new play tackles pickup artistry and the internet's seamy underside.

Barrie Kosky's daring, dazzling production is controversial yet poignant, with the music having the final say.

A wild, confronting and bittersweet ride in three acts you won’t easily forget.

A crack squad from the Australian World Orchestra delivers a thoroughly enjoyable evening of chamber music.

A night of music across the spectrum, climaxing on a surprising note with Schoenberg's beast – Verklärkte Nacht.

A mournful Popper and happy-go-lucky Copland between two immense Czech works.

By establishing the rift between the boys too early, the production doesn't have the inexorable tension or poignancy of the book.