Eighteen works symbolic of pilgrimage delivered by seven singers at the top of their game.

Based more closely on Prosper Merimée’s novella than Bizet's opera, Johan Inger’s Carmen gets inside Don Jose’s head – and it’s a dangerous place.

This exciting, superbly staged show often makes you feel like you're watching the real Michael Jackson, though the man in the mirror isn't fully reflected.

The space and time-travelling Arkestra delivered a powerful blend of big band music, bebop and avant-garde jazz.

MCO's season opening concert featured an inspired and compelling combination of works, with something for everyone.

We now have a new option for the 'O' in WASO, as Asher Fisch and Alexander Gavrylyuk take their audience to new heights.

The German pianist and composer is a marvel of live electronic performance.

Ehnes and his 1715 Stradivarius have become a familiar sight on Sydney Opera House’s concert hall stage, but he always surprises.

Bell Shakespeare's new Henry 5 highlights the truism that war is always fuelled by the bodies of the young.

The chamber opera adaptation of Jane Austen’s novel makes its Melbourne debut with a cast in tune with their characters.

The Robot Dog is a play of big questions and too many ambitious ideas.

An adventurous evening for new music enthusiasts at Sydney’s Goethe Institute.