Review: Innocence (Adelaide Festival, State Opera South Australia)
Taut and terrific, Simon Stone’s production of Kaija Saariaho’s final opera is a potent deep dive into what motivates an atrocity.
Taut and terrific, Simon Stone’s production of Kaija Saariaho’s final opera is a potent deep dive into what motivates an atrocity.
Dr Lou Bennett and Paul Stanhope’s song cycle about a repatriated baby girl's journey has a mesmerising Australian premiere.
Concerned with how we manage to live right now, A Quiet Language sends joyful shafts of light into the darkness.
Tracey Yarad impresses with an autobiographical show inspired by the worst imaginable collapse of a relationship.
Beautiful contrasts abound as 11 Australian composers arrange 12 of Jess Hitchcock’s songs.
Seann Miley Moore glitters hard in John Cameron Mitchell and Stephen Trask’s cult musical.
Having experienced more than her fair share, Jodie Atkinson shines a spotlight on grief in all its manifestations.
An expansive evening of music to sink into and escape reality with – and plenty of time in which to do so.
Alana Valentine's new play produces a warm glow as contrasting views are explored and a secret is revealed.
Southern Cross Soloists' patchwork of Strauss waltzes, Beethoven and a piece reflecting on the LA fires doesn't quite hang together.
A bold and dazzling "cyber-opera" reimagines grief through music, movement and mesmerising visuals.
Hans throws himself the a raucous birthday party. Pass-the-parcel included.
Joan Lindsay’s 1967 novel Picnic at Hanging Rock transformed into an electrifying post-modern ripping yarn.