An unflinching series of vignettes covering key the milestones that shape young men prioritises universal relevance over specificity.

Seven’s the magic number in Ensemble Q’s surprising chamber recital.

La Boite opens its 100th season with a high-intensity, three-woman Macbeth, with a shift in focus and stunning textile design.

A punchy Prokofiev outshone by James Ehnes’ stunning Barber concerto.

A welcome, well executed revival of David Williamson’s play about sexism, violence and the abuse of power.

Johann Strauss II’s New Year’s Eve staple Die Fledermaus proves perfect for the batty times we live in.

Camerata's Schumann program helps blow away the blues left behind by Tropical Cyclone Alfred.

A tricky acoustic and the late summer heat took some of the shine off AHE's Sunrise.

Inspired by the tragic story of an exorcism-gone-wrong, Melissa Reeves' play is scintillating and surreal.

OFCM demonstrates a dedication to Australian and female-composed works that other orchestras and festivals lack.

The Australian Art Orchestra and the Tatana Village Choir from PNG conduct a conversation across genres, across worlds.

Pina Bausch's works are still remarkable, but the distance between the late choreographer and the company bearing her name is palpable.