The chamber opera adaptation of Jane Austen’s novel makes its Melbourne debut with a cast in tune with their characters.

The Robot Dog is a play of big questions and too many ambitious ideas.

An adventurous evening for new music enthusiasts at Sydney’s Goethe Institute.

Opera Queensland has a winner here, beautifully performed and superbly timed for comedy.

Amelia Ryan and Libby O’Donovan celebrate the women who made it in the rock and pop music industry – and those who fell victim to it.

In troubling times, the Soweto Gospel Choir reminds us that freedom has a face and a history.

Phoenix Collective rises to the occasion with its wide-ranging Sydney Opera House debut.

An evening of highs and lows at Adelaide Festival. Sometimes, writes Deborah Jones, things just don't work out.

A finely crafted exposition of Vivaldi's largely ignored amalgam of four sacred works.

Under Jaime Martín's baton, the MSO prioritised clarity and precision, allowing Mahler’s meticulous orchestration to speak for itself.

Erin Helyard takes us on a fantastic journey through Bach’s Baroque universe.

Early-music specialists and soprano Jacqueline Porter present a rare display of 17th century Gaelic and English tunes.