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Classical Music
Live Review

Review: Mr. Dowland’s Midnight (Paul O’Dette, Music Before 1800, New York)

Master lutenist delivers Dowland's dolours, but with plenty of uplift and a tale or two to tell.

March 23, 2019
Classical Music
Live Review

Review: Boston Symphony Orchestra & Renée Fleming (Carnegie Hall)

Great expectations fulfilled in Andris Nelsons' Straussian music fest, despite the kerfuffle.

March 21, 2019
Chamber, Classical Music
Live Review

Review: Breathtaking (Van Diemen’s Band)

Soprano and cornetto mingle in this rarely glimpsed musical world.

March 19, 2019
Classical Music
Live Review

Review: Romeo and Juliet (Queensland Symphony Orchestra)

Conductor Diego Matheuz provides confident leadership in this consistently entertaining concert.

March 18, 2019
Classical Music, Orchestral
Live Review

Review: Season Opening Gala (Melbourne Symphony Orchestra)

A well-played concert but a missed opportunity to send a strong message of artistic intent.

March 18, 2019
Classical Music, Orchestral
Live Review

Review: Mozart Symphony No 40 (West Australian Symphony Orchestra)

Siobhan Stagg, Asher Fisch and WASO fire on all cylinders in this unusual program.

March 18, 2019
Dance
Live Review

Review: Zizanie (Adelaide Festival, Meryl Tankard & Restless Dance Theatre)

A delightful, mischievous, intoxicating celebration of difference.

March 17, 2019
Dance
Live Review

Review: Grand Finale (Hofesh Shechter Company, Adelaide Festival)

A deeply moving dance work about humanity’s decline.

March 17, 2019
Theatre
Live Review

Review: My Leonard Cohen (Adelaide Fringe)

D'Arietta's Cohen was a safe, satisfying journey rather than a ride.

March 16, 2019
Circus, Theatre
Live Review

Review: Spamalot (One Eyed Man Productions, Hayes Theatre Co)

The cast give it their all, but the sketchy show is no musical holy grail. Still, it’s a lot of fun.

March 15, 2019
Classical Music, Orchestral
Live Review

Review: Beethoven & Prokofiev (Australian Chamber Orchestra)

Italian violinist Lorenza Borrani delivers a fiery, otherworldly concert with the ACO.

March 15, 2019
Light Classics
Live Review

Review: “Intoxicated Man” – Presenting the Songs of Serge Gainsbourg (Adelaide Fringe Festival)

More a musical pavlova than a croquembouche, but tasty nevertheless.

March 15, 2019
Classical Music
Live Review

Review: The Power of One (Canberra Symphony Orchestra)

The “sorceress of percussion” enchants a capacity crowd in a concert of Australian music.

March 15, 2019

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