Review: The Gospel According to Paul (Soft Tread)
Jonathan Biggins gives such an uncanny performance you’d swear he’s Keating in this hilariously funny, astute, inspiring show.
Jonathan Biggins gives such an uncanny performance you’d swear he’s Keating in this hilariously funny, astute, inspiring show.
The boundaries of music and technology blur for a rich and immersive journey.
It's #AussieAussieAussie as Tognetti flies his musical flag in the Big Apple.
The young cast sure can dance, but lacks the dramatic chops to sell this dark tale.
A remarkable and original new work showcasing many facets of Chinese culture and Renaissance Chinese literature.
Omega's all-Mozart program was never less than beautifully played, but more lightness and wit could have made it really sparkle.
A promising take on Schubert's colossus of a work, though depth will come with experience.
A clever musical that moves forwards and backwards through a broken marriage.
A feast for clarinet-lovers, but not without some spice on the menu.
The best of Sydney in Melbourne’s best room.
The all-Russian program showcased the range of WASO's musicianship beautifully.
Aside from the dancing, there’s little real fever in this underwhelming adaptation of the 1977 film.
A superlative performance from Simone Lamsma, Alexander Shelley and the SSO.