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Chamber, Classical Music
Live Review

Review: Thirteen Ways to Look at Birds (Adelaide Festival)

Paul Kelly, James Ledger, Seraphim Trio and Alice Keath give us an evening of genre-blending bird songs.

March 3, 2019
Dance, Opera
Live Review

Review: Rameau, Maître à Danser (Brooklyn Academy of Music)

William Christie's spirited revival of an antiquated artform proves there's life in Rameau's old dogs yet.

March 3, 2019
Classical Music, Dance
Live Review

Review: Recital (FORM Dance Projects, Riverside Theatres)

A dancer and a percussionist collaborate in an unusual duo, but the work still has more room to move.

March 2, 2019
Theatre
Live Review

Review: Arbus & West (Melbourne Theatre Company)

The photographer and actress’s real-life encounter becomes a tantalising cocktail of truth and fiction.

March 1, 2019
Classical Music
Live Review

Review: The Nature of Why (The British Paraorchestra, Perth Festival)

A unique, immersive, joyous concert from the world’s first professional orchestra for musicians with a disability.

February 28, 2019
Classical Music, Orchestral
Live Review

Review: Brandenburg Concertos (Australian Brandenburg Orchestra)

An exhilarating concert showcasing the talent on offer from a band that blazed the HIP trail in Australia 30 years ago and is still going strong today.

February 28, 2019
Classical Music
Live Review

Review: Crystal Moonlight (Jade New World Collective, QPAC)

A diverse musical collaboration free from traditional boundaries or limitations.

February 27, 2019
Chamber, Classical Music
Live Review

Review: Root Position (Selby & Friends)

A top notch trio puts down some roots.

February 27, 2019
Chamber, Classical Music
Live Review

Review: Natalie Clein & Katya Apekisheva (Musica Viva)

A beguiling concert of rich textures and finely spun melodies.

February 25, 2019
Live Review

Review: Mary Coughlan (Adelaide Fringe)

The combination of Coughlan's authentic lived-in blues and engaging humour was intoxicating

February 25, 2019
Theatre
Live Review

Review: Harry Potter and the Cursed Child (Melbourne)

A magical piece of storytelling that holds you spellbound from start to finish.

February 24, 2019
Classical Music, Opera
Live Review

Review: Werther (Opera Australia)

Michael Fabiano makes a promising role debut, but the real star is Elena Maximova's vividly realised Charlotte.

February 23, 2019
Classical Music
Live Review

Review: Tous les Matins du Monde (Jordi Savall, Carnegie Hall)

Musical wizard and friends recreate the soundtrack to baroque music's greatest film.

February 23, 2019

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