Review: Games by Henry Naylor (Adelaide Fringe)
Games by Henry Naylor is a powerful intrigue based on a true story.
February 18, 2019
Review: VDB with Thomas Flint (Van Diemen’s Band)
Proof, should it be needed, that music truly does transcend time and space.
February 18, 2019
Review: A History of Early Blues (Adelaide Fringe)
Intriguing and enjoyable – but more jam session than show.
February 18, 2019
Review: Death of a Salesman (Queensland Theatre)
Queensland Theatre opens its 2019 season with an unforgettable production of Arthur Miller’s award-winning classic.
February 18, 2019
Review: Beethoven’s Trio (Omega Ensemble)
Omega Ensemble's intimate launch with a trio of trios.
February 18, 2019
Review: King Arthur (Gabrieli Consort and Players)
Britain’s renowned Baroque ensemble cut to the musical chase of Purcell’s semi-opera, with beautiful if not Arthurian results.
February 18, 2019
Review: The Moors (Siren Theatre Co)
A zany, satirical take on the Victorian gothic romance, with overt nods to the Brontë sisters.
February 17, 2019
Review: Heavenly (Queensland Symphony Orchestra)
QSO's first concert for 2019, with pianist Paul Lewis, lives up to its name.
February 17, 2019
Review: Peter Pan Goes Wrong (Lunchbox Theatrical Productions)
This comedy about an inept amateur production feels a bit predictable, but there’s still fun to be had along the way.
February 16, 2019
Review: How to Rule the World (Sydney Theatre Company)
Nakkiah Lui takes a swing at Australian politics in a wildly funny satire that out-Canberras Canberra.
February 16, 2019
Review: Bartók’s Concerto for Orchestra (Sydney Symphony Orchestra)
A well thought-out program, spanning 100 years from Janáček to Reich.
February 14, 2019
Review: Treble Helix Unlocked (The Song Company)
The Song Company delves deep into the Eton Choirbook in vibrant performances with an edge of danger.
February 14, 2019
Review: Haydn’s Nature (Australian Haydn Ensemble)
Solar-powered launch to Haydn specialists' season complete with birdsong.
February 12, 2019