WA Ballet’s annual season of contemporary short works offers interesting ideas but lacks sophistication.

Kate Mulvany's adaptation places both queens centre stage, providing an excavation of their shared humanity and grave shortcomings.

A musical Russian arc from a modern English maestro.

WASO's 2019 season gets off to a fun, flying start.

A spectacle of visual design and unspoken storytelling.

A splendid start to the season, with storytelling at the forefront.

The SSO goes wild in a festive season opening gala to mark the start of David Robertson's final year.

An immersive dance-theatre work filled with drama and intrigue.

The indomitable Miriam Margolyes shines as the real-life vagrant who lived in playwright Alan Bennett’s front yard for 15 years.

Geraldine Hakewill is heartbreaking as LV, with Caroline O’Connor in fine form as her bulldozer of a mother.

A rich portrait of a girls’ indoor soccer team that captures all the awkwardness, pain and joy of soon to be shed adolescence.

Written during the most exasperating period of his compositional career, Bernstein’s opera A Quiet Place reflected all of his then current excesses.