Review: King Arthur (Gabrieli Consort and Players)
Britain’s renowned Baroque ensemble cut to the musical chase of Purcell’s semi-opera, with beautiful if not Arthurian results.
Britain’s renowned Baroque ensemble cut to the musical chase of Purcell’s semi-opera, with beautiful if not Arthurian results.
A zany, satirical take on the Victorian gothic romance, with overt nods to the Brontë sisters.
QSO's first concert for 2019, with pianist Paul Lewis, lives up to its name.
This comedy about an inept amateur production feels a bit predictable, but there’s still fun to be had along the way.
Nakkiah Lui takes a swing at Australian politics in a wildly funny satire that out-Canberras Canberra.
A well thought-out program, spanning 100 years from Janáček to Reich.
The Song Company delves deep into the Eton Choirbook in vibrant performances with an edge of danger.
Solar-powered launch to Haydn specialists' season complete with birdsong.
WA Ballet’s annual season of contemporary short works offers interesting ideas but lacks sophistication.
Kate Mulvany's adaptation places both queens centre stage, providing an excavation of their shared humanity and grave shortcomings.
A musical Russian arc from a modern English maestro.
WASO's 2019 season gets off to a fun, flying start.
A spectacle of visual design and unspoken storytelling.