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Classical Music
Live Review

Review: All-Berlioz Program (Orchestre Révolutionnaire et Romantique, Carnegie Hall)

Gardiner's Berlioz generates a charge, while Simon Callow helps the Symphonie Fantastique's sequel fly again.

October 17, 2018
Classical Music, Opera
Live Review

Review: The Handmaid’s Tale (Gertrude Opera, Yarra Valley Opera Festival)

This adaptation of Atwood's novel is the best of the bunch at this new opera festival.

October 16, 2018
Theatre
Live Review

Review: Nearer the Gods (Queensland Theatre)

Queensland Theatre unfurls the mysteries of the universe with a stellar world premiere production by David Williamson.

October 15, 2018
Dance
Live Review

Review: Everyday Requiem (Expressions Dance Company)

A tender portrait of the extraordinary triumphs and emotion of an ordinary life.

October 15, 2018
Classical Music
Live Review

Review: Forces of Nature (Australia Ensemble)

A typically thoughtful, superbly performed concert including two Australian compositions.

October 14, 2018
Classical Music, Orchestral
Live Review

Review: The Last Days of Socrates (Sydney Symphony Orchestra)

Brett Dean conjures a dramatic debate between philosophers in his final concert as SSO Artist in Residence.

October 13, 2018
Classical Music, Opera
Live Review

Review: Sketches from Frankenstein (The Angel’s Share, Brooklyn)

Whiskey and opera: the perfect combination for a chilling site-specific performance in a cemetery.

October 13, 2018
Theatre
Live Review

Review: An Enemy of the People (Belvoir St Theatre)

Anchored by Kate Mulvany's terrific performance, this is a show that speaks directly to our troubled, complex times.

October 12, 2018
Classical Music, Orchestral
Live Review

Review: Romeo Retold (Tasmanian Symphony Orchestra)

The Tasmanian Symphony Orchestra celebrates its 70th birthday in high-octane style.

October 12, 2018
Classical Music, Opera
Live Review

Review: Pelléas and Mélisande (Victorian Opera)

Victorian Opera celebrates the centenary of Debussy’s death with an accomplished production of his only, highly enigmatic opera.

October 12, 2018
Classical Music
Live Review

Review: The Art of Andriessen (New York Philharmonic, David Robertson)

Engaging Andriessen, turbo-charged Rachmaninov, and Robertson's Sibelius is even better second time around.

October 12, 2018
Dance
Live Review

Review: Layla and Majnun (Mark Morris Dance Group & Silkroad Ensemble)

A sumptuous fusion of genres, cultures and art forms.

October 11, 2018
Theatre
Live Review

Review: Watt (Melbourne International Arts Festival)

Leading Beckett performer Barry McGovern charms with a masterful, beguiling performance.

October 10, 2018

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