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Dance
Live Review

Review: The Legend of Dunhuang (Ausfeng)

Lavish stage pictures pay tribute to the beauty of the Mogao Caves.

October 6, 2018
Theatre
Live Review

Review: Madiba the Musical (The Prestige Presents)

The inspiring story of Nelson Mandela’s struggle for justice becomes a surprisingly uninspired musical.

October 5, 2018
Classical Music, Musical Theatre & Cabaret
Live Review

Review: Opening Night Gala (Carnegie Hall, New York)

Renée Fleming and Audra McDonald add sparkle to Michael Tilson Thomas's easy-going opening.

October 5, 2018
Dance
Live Review

Review: A Midsummer Night’s Dream (Queensland Ballet)

A colourful and comedic rendering of the Bard’s classic.

October 4, 2018
Opera
Live Review

Review: Dido & Aeneas (State Opera of South Australia/Elder Conservatorium)

This youthful, celebratory take on the seminal work works well in its post-industrial setting.

October 4, 2018
Classical Music, Theatre
Live Review

Review: Beowulf (Music Before 1800, New York)

A fiercely authentic Benjamin Bagby enthralls with an ancient tale of heroes and horrors from the Northlands.

October 4, 2018
Chamber, Classical Music
Live Review

Review: Spectral Tech (Ensemble Offspring)

A beautifully shaped program from Ensemble Offspring, showcasing three brand new works and a spectral classic.

October 2, 2018
Classical Music
Live Review

Review: Barossa Baroque and Beyond

A microfestival of fine music in the Barossa Valley.

October 2, 2018
Classical Music
Live Review

Review: Ilya Gringolts Plays Paganini (Australian Chamber Orchestra)

The violinist's stupendous technique was matched by dazzling lyricism – and he directed the concert to boot.

October 2, 2018
Opera
Live Review

Review: Candide (Sydney Philharmonia Choirs)

A delightful concert version with a top cast led by Alexander Lewis, Caroline O'Connor and a glittering Annie Aitken.

September 30, 2018
Classical Music, Orchestral
Live Review

Review: Tchaikovsky Cello Favourites (Sydney Symphony Orchestra)

Style and sensitivity from French cellist Gautier Capuçon before Vladimir Ashkenazy gives us a peek behind Strauss's closed doors.

September 29, 2018
Chamber, Classical Music
Live Review

Review: Schubert Ledger Shostakovich (Australian String Quartet)

A world premiere by James Ledger demonstrates that he's a formidable composer for the string quartet.

September 28, 2018
Classical Music, Opera
Live Review

Review: Metamorphosis (Opera Australia)

Brian Howard’s opera is given an impressive revival in a suitably grungy new performance space.

September 27, 2018

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