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Opera
Live Review

Review: You Mean the World to Me (Jonas Kaufmann, Carnegie Hall)

Despite some melting moments, Kaufmann's Viennese fancy leaves you wanting more.

October 7, 2018
Classical Music, Vocal & Choral
Live Review

Review: Lagrime di San Pietro (Los Angeles Master Chorale, Melbourne International Arts Festival)

Physical choreography adds another emotional layer to this exquisite Renaissance choral masterwork.

October 6, 2018
Dance
Live Review

Review: The Legend of Dunhuang (Ausfeng)

Lavish stage pictures pay tribute to the beauty of the Mogao Caves.

October 6, 2018
Theatre
Live Review

Review: Madiba the Musical (The Prestige Presents)

The inspiring story of Nelson Mandela’s struggle for justice becomes a surprisingly uninspired musical.

October 5, 2018
Classical Music, Musical Theatre & Cabaret
Live Review

Review: Opening Night Gala (Carnegie Hall, New York)

Renée Fleming and Audra McDonald add sparkle to Michael Tilson Thomas's easy-going opening.

October 5, 2018
Dance
Live Review

Review: A Midsummer Night’s Dream (Queensland Ballet)

A colourful and comedic rendering of the Bard’s classic.

October 4, 2018
Opera
Live Review

Review: Dido & Aeneas (State Opera of South Australia/Elder Conservatorium)

This youthful, celebratory take on the seminal work works well in its post-industrial setting.

October 4, 2018
Classical Music, Theatre
Live Review

Review: Beowulf (Music Before 1800, New York)

A fiercely authentic Benjamin Bagby enthralls with an ancient tale of heroes and horrors from the Northlands.

October 4, 2018
Chamber, Classical Music
Live Review

Review: Spectral Tech (Ensemble Offspring)

A beautifully shaped program from Ensemble Offspring, showcasing three brand new works and a spectral classic.

October 2, 2018
Classical Music
Live Review

Review: Barossa Baroque and Beyond

A microfestival of fine music in the Barossa Valley.

October 2, 2018
Classical Music
Live Review

Review: Ilya Gringolts Plays Paganini (Australian Chamber Orchestra)

The violinist's stupendous technique was matched by dazzling lyricism – and he directed the concert to boot.

October 2, 2018
Opera
Live Review

Review: Candide (Sydney Philharmonia Choirs)

A delightful concert version with a top cast led by Alexander Lewis, Caroline O'Connor and a glittering Annie Aitken.

September 30, 2018
Classical Music, Orchestral
Live Review

Review: Tchaikovsky Cello Favourites (Sydney Symphony Orchestra)

Style and sensitivity from French cellist Gautier Capuçon before Vladimir Ashkenazy gives us a peek behind Strauss's closed doors.

September 29, 2018

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