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Classical Music
Live Review

Review: Romantic Rachmaninov (Adelaide Symphony Orchestra)

Amy Dickson's Australian premiere of James MacMillan's Saxophone Concerto was an exciting inclusion in this terrific ASO concert.

August 15, 2018
Classical Music
Live Review

Review: Path of Miracles (Sydney Philharmonia Choirs)

Joby Talbot's sublime, mysterious a cappella work is beautifully presented in a cathedral crypt.

August 15, 2018
Chamber, Classical Music
Live Review

Review: Schubert Songs (Australian Haydn Ensemble)

David Greco sings Death's many faces alongside a young person's Winterreise.

August 13, 2018
Theatre
Live Review

Review: The Boy from Oz (The Production Company)

Rohan Browne leads a talented cast in this energetic, crowd-pleasing take on the 20-year-old Australian musical.

August 13, 2018
Classical Music, Orchestral
Live Review

Review: Camerata – Bliss (QPAC)

An energetic symbiosis between Camerata and Julian Bliss.

August 12, 2018
Classical Music, Opera
Live Review

Review: The Turk in Italy (Opera Australia)

Simon Phillips' entertaining production of The Turk in Italy gives Rossini's comedy plenty of sparkle.

August 11, 2018
Classical Music
Live Review

Review: Guitar Festival Symphony Gala (Adelaide Symphony Orchestra)

Spanish classics and a new Milliken work with the Adelaide Symphony Orchestra's artistry.

August 11, 2018
Classical Music, Opera
Live Review

Review: Der Rosenkavalier (Melbourne Opera)

From sublime singing to ridiculously good comedy, this new production is the next big step up for a small opera company.

August 11, 2018
Classical Music
Live Review

Review: Mahler Six (Sydney Symphony Orchestra)

An absolutely epic evening conducted by Simone Young.

August 9, 2018
Classical Music, Opera
Live Review

Review: The Mastersingers of Nuremberg Act III (State Opera of South Australia)

An uneven presentation of this comedy from Wagner.

August 8, 2018
Classical Music
Live Review

Review: Soloists and Spontaneity (Queensland Symphony Orchestra)

Sergio Tiempo’s sensational performance of Rachmaninov’s third Piano Concerto is an unforgettable highlight.

August 6, 2018
Classical Music
Live Review

Review: Goldberg Variations (Australian Chamber Orchestra)

The ACO revels in the joyful complexities of Bach’s legendary Goldberg Variations.

August 6, 2018
Chamber, Classical Music
Live Review

Review: Magical Connections (Australian Festival of Chamber Music)

The AFCM bids a fond farewell to Kathryn Stott's first Festival as Artistic Director in a lavish, three-act gala.

August 6, 2018

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