Speak Percussion and Jessica Aszodi illuminate Liza Lim's dazzling fusion of opera and world percussion.

An interesting production not without its problems, balanced by some strong performances.

Toxic career ambition and modern media’s cynical sensationalism drive this clever new American satire.

Verdi's mighty epic infused with compelling human drama.

Roger Woodward is full of rapturous praise for performances in San Francisco by pianists Alexander Gavrylyuk and Edward Neeman.

A wonderfully rendered (if perhaps over-faithful) staging of Sondheim’s masterpiece of a black satire.

A contemporary triple bill by three in-house choreographers.

A new look at a memorable, if flawed, Australian musical.

Two pianists, one spirit, one superbly delivered set of Goldberg Variations.

Zambello's finely-judged Ring goes up in flames leaving the women to inherit what's left of the earth.

A work that is very beautiful visually though not as emotionally resonant as the company's strongest works.

Gender-swap aside, this is an important, deeply moving opera at a time when we need to continue these conversations.