Review: Tom Waits for No Man (Adelaide Cabaret Festival)
With the help of a sparkling misfit ensemble, Charly Zastrau and Ali McGregor have created a seamless, incisive tribute to the American singer-songwriter.
With the help of a sparkling misfit ensemble, Charly Zastrau and Ali McGregor have created a seamless, incisive tribute to the American singer-songwriter.
A gripping production and fine acting count for much, but this Siegfried is still holding out for a hero.
Sydney underbelly and Adelaide jazz songstress/composer were an almost perfect match.
Sir Andrew Davis breaks a nearly 50-year drought and brings MSO back to some beautiful Berlioz.
The Queen of the Violin delivers warm, brilliant performances with plenty of personality.
A strongly cast production with real gravitas makes for a very fine second instalment in Wagner's Ring Cycle.
A finely cast Rheingold makes an appropriately glittering start to Zambello's 'American' Ring.
Thriving in a bigger theatre, Dean Bryant's taut, inventive production of Assassins is a must see.
Nicolas Altstaedt and friends cap off a highly successful UKARIA 24 with a double bill of Schumann and Brahms.
Emma Rice ensures Marc and Bella Chagall's colourful life soars as high as a kite.
From gorgeously ornate audiovisual storytelling, to endlessly inventive rough theatre.
Only Lea Delaria can seamlessly interpose gentle intelligent lounge jazz with candid sexuality.
Nicolas Altstaedt channels the symphonic in another fascinating program at UKARIA 24.