Review: Sven Ratzke: Homme Fatale (Adelaide Cabaret Festival)
More magician than homme fatale in his Thierry Mugler original, Ratzke still transported his audience on a titillating journey of the imagination.
More magician than homme fatale in his Thierry Mugler original, Ratzke still transported his audience on a titillating journey of the imagination.
An ambitious concert program that was delivered brilliantly.
An immaculate, thrilling show by one of the greatest Broadway divas of our time.
An eclectic, innovative program that saw the orchestra on top form.
A 'middling' cultural icon presenting songs from his 'middling smash' brought the house down.
In his probing new play Justin Fleming brings Wagner and Hitler together through the music drama Rienzi.
Speak Percussion and Jessica Aszodi illuminate Liza Lim's dazzling fusion of opera and world percussion.
An interesting production not without its problems, balanced by some strong performances.
Toxic career ambition and modern media’s cynical sensationalism drive this clever new American satire.
Verdi's mighty epic infused with compelling human drama.
Roger Woodward is full of rapturous praise for performances in San Francisco by pianists Alexander Gavrylyuk and Edward Neeman.
A wonderfully rendered (if perhaps over-faithful) staging of Sondheim’s masterpiece of a black satire.
A contemporary triple bill by three in-house choreographers.