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Chamber, Classical Music, Opera
Live Review

Review: Nicole Car (Australian Chamber Orchestra)

In her highly anticipated ACO debut, the opera star shows herself to be an accomplished, detailed recitalist.

April 9, 2018
Chamber, Classical Music
Live Review

Review: James Ehnes (Utzon Series, Sydney Opera House)

Nuanced Bach with strength and elegance from the Canadian violin virtuoso.

April 9, 2018
Classical Music, Orchestral
Live Review

Review: Ingrid Fliter plays Mendelssohn (West Australian Symphony Orchestra)

Conductor Dan Ettinger and pianist Ingrid Fliter deliver a conservative program full of surprises.

April 9, 2018
Musical Theatre & Cabaret, Theatre
Live Review

Review: Come From Away (Junkyard Dog Productions, Broadway)

The ‘little Canadian musical that could’ is headed to Melbourne, and Aussies are in for a treat.

April 9, 2018
Classical Music
Live Review

Review: Fauré Requiem (Queensland Symphony Orchestra)

A spectacular evening embracing the joy of nature and the drama of death.

April 8, 2018
Dance
Live Review

Review: Murphy (The Australian Ballet)

A very entertaining, richly deserved tribute to one of our national treasures.

April 7, 2018
Theatre
Live Review

Review: Sami in Paradise (Belvoir)

This adaptation of Erdman’s The Suicide fails to plumb the depths of its characters’ despair.

April 6, 2018
Theatre
Live Review

Review: The Children (Sydney Theatre Company)

Lucy Kirkwood's intimate dystopia paints a world in which sacrifices must be made.

April 4, 2018
Chamber
Live Review

Review: Four Winds Easter Festival (House Concert 3, Sound Shell Sunday)

An excellent festival with an exciting vision for the future.

April 3, 2018
Theatre
Live Review

Review: Diplomacy (Ensemble Theatre)

John Bell and John Gaden are a powerhouse duo in the starring roles, but this play about saving Paris could do with more tension.

March 30, 2018
Theatre
Live Review

Review: Going Down (Sydney Theatre Company)

A compelling but imperfect play by Michele Lee is elevated by its excellent, side-splitting cast.

March 29, 2018
Opera
Live Review

Review: The Howling Girls (Sydney Chamber Opera)

Damien Ricketson and Adena Jacobs' The Howling Girls is an immersive, dream-like exploration of trauma and voice.

March 29, 2018
Theatre
Live Review

Review: The Resistible Rise of Arturo Ui (Sydney Theatre Company)

Hugo Weaving's brilliant Arturo Ui is terrifying because he's familiar.

March 28, 2018

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