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Vocal & Choral
Live Review

Review: A Tasmanian Requiem (Gap in the Fence)

A monumental work revealing Tasmania's disturbing history.

April 17, 2018
Classical Music, Orchestral
Live Review

Review: Passion (The Metropolitan Orchestra)

The TMO brings buckets of energy to a program spanning opera hits to folk-infused rarities.

April 16, 2018
Vocal & Choral
Live Review

Review: When We Were Children (Hamer Singers)

A shared vision results in a superb sheen and finish to the Hamer Singers' sound.

April 16, 2018
Classical Music, Orchestral
Live Review

Review: An Emotional Rollercoaster (Queensland Symphony Orchestra)

Alexander Prior and Sergio Tiempo deliver contrasts and extremes in an unforgettable concert.

April 16, 2018
Classical Music, Vocal & Choral
Live Review

Review: A German Requiem (Deutsche Kammerphilharmonie Bremen)

After 150 years, Paavo Järvi brings Brahms' German Requiem back to St Peter’s Cathedral in Bremen.

April 16, 2018
Classical Music, Orchestral
Live Review

Review: Tchaikovsky 5 (Melbourne Symphony Orchestra)

Buy Tchaikovsky and be dazzled by a new concerto by Kernis composed for violinist James Ehnes.

April 15, 2018
Classical Music, Vocal & Choral
Live Review

Review: Beethoven’s Mass in C (Sydney Symphony Orchestra)

Suzuki and the SSO deliver enthralling performances of under-appreciated works.

April 12, 2018
Chamber, Classical Music
Live Review

Review: Eternal Quartets (Omega Ensemble)

Life, Birth, Death, Eternity and the whole damn thing.

April 12, 2018
Chamber, Classical Music
Live Review

Review: Avi Avital & Giocoso String Quartet (Musica Viva)

Mandolin virtuoso Avi Avital doesn't disappoint in this diverse and interesting program with the Giocoso String Quartet.

April 11, 2018
Classical Music, Vocal & Choral
Live Review

Review: Stile Antico (Music Before 1800, New York)

English Renaissance specialists illuminate Victoria's mood in Tenebrae Responsories.

April 11, 2018
Theatre
Live Review

Review: Yerma (Young Vic, Park Avenue Armory, New York)

Simon Stone's bravura North American debut and Billie Piper's excoriatingly honest performance make Yerma unmissable.

April 10, 2018
Chamber, Classical Music, Opera
Live Review

Review: Nicole Car (Australian Chamber Orchestra)

In her highly anticipated ACO debut, the opera star shows herself to be an accomplished, detailed recitalist.

April 9, 2018
Chamber, Classical Music
Live Review

Review: James Ehnes (Utzon Series, Sydney Opera House)

Nuanced Bach with strength and elegance from the Canadian violin virtuoso.

April 9, 2018

Posts pagination

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