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Classical Music, Instrumental
Live Review

Review: Moye Chen (Utzon Music Series)

An eclectic mix of material from an exciting young talent.

May 7, 2018
Chamber, Classical Music
Live Review

Review: A Soldier’s Return (Canberra International Music Festival)

A moving, intelligent program delving deep into what it means to return.

May 5, 2018
Theatre
Live Review

Review: Twelfth Night (Queensland Theatre)

An alchemical brew of popular music with a modern interpretation to create box office gold.

May 4, 2018
Chamber, Classical Music
Live Review

Review: Orava Quartet (Canberra International Music Festival)

The Oravas live up to the hype and more in this stunning concert of Haydn, Rachmaninov and Debussy.

May 4, 2018
Classical Music, Orchestral
Live Review

Review: Riccardo Muti (Australian World Orchestra)

An exhilarating concert and an eloquent reassurance of the eminent place of Australian musicians in the world.

May 3, 2018
Classical Music
Live Review

Review: ActewAGL Llewellyn Two (Canberra Symphony Orchestra)

In his CSO debut, Johannes Fritzsch made a strong impression with Vaughan Williams, Vanhal, Paul Stanhope and Beethoven.

May 3, 2018
Chamber, Classical Music
Live Review

Review: Glass Games (Canberra International Music Festival)

Susanna Borsch's white-hot performance was made for the Glassworks Hot Shop.

May 3, 2018
Chamber, Classical Music
Live Review

Review: Ulysses Now (Canberra International Music Festival)

A thought-provoking program tracing the stories of those displaced by war across centuries.

May 3, 2018
Classical Music, Opera
Live Review

Review: Israel in Egypt (Canberra International Music Festival)

A treat that will live long in Canberra’s memory.

May 2, 2018
Theatre
Live Review

Review: Carmen, Live or Dead (Hayes Theatre Co)

What if Frida Kahlo and Leon Trotsky had a child? Natalie Gamsu finds out in this unusual cabaret show.

May 1, 2018
Dance
Live Review

Review: The Merry Widow (The Australian Ballet)

A light, fluffy and lovely ballet with some gorgeous, emotional pas de deux.

April 29, 2018
Dance
Live Review

Review: Replica (Stephanie Lake Company)

A glimpse into the complexities that can shape the peculiar connection between two living organisms.

April 28, 2018
Theatre
Live Review

Review: Still Point Turning: The Catherine McGregor Story (Sydney Theatre Company)

Heather Mitchell’s finely judged, compelling performance as Catherine McGregor is this new play’s drawcard.

April 27, 2018

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