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Classical Music, Orchestral
Live Review

Review: Pastoral Melodies (Australian Romantic & Classical Orchestra)

An Austro-German program of two Classical works and two Romantic, long on youthful enthusiasm.

March 23, 2018
Theatre
Live Review

Review: Abigail’s Party (Melbourne Theatre Company)

In this classic Mike Leigh play, an excellent cast reveals timeless personal and social anxieties in 1970s England.

March 23, 2018
Chamber, Classical Music
Live Review

Review: Hark the Machine (Ensemble Offspring)

From Gosfield’s spiky cactus needles to Lang’s hard-edged swagger, this was a cracking start to Ensemble Offspring’s 2018.

March 21, 2018
Classical Music, Opera
Live Review

Review: Don Quichotte (Opera Australia)

It's well worth spending a few hours with Ferruccio Furlanetto's Don.

March 20, 2018
Classical Music, Orchestral
Live Review

Review: Alina Ibragimova: Death and the Maiden (Australian Chamber Orchestra)

A program focused on death with glimmers of light and hope.

March 19, 2018
Dance
Live Review

Review: XENOS (Adelaide Festival)

A haunting lament of the body in conflict.

March 18, 2018
Classical Music, Orchestral
Live Review

Review: Bernstein on Stage! (Adelaide Symphony Orchestra)

An extraordinary reminder of Bernstein's skill, craft and humanity, which will live long in the memory.

March 18, 2018
Theatre
Live Review

Review: Peggy Lee: Is that all there is? (Adelaide Fringe)

A well constructed less-is-more cabaret homage to 'the Princess'.

March 18, 2018
Dance
Live Review

Review: La Bayadère (Queensland Ballet)

A lavish retelling of a less familiar story ballet.

March 17, 2018
Dance
Live Review

Review: Converge (Expressions Dance Company)

A quadruple bill offering original expressions of dance and music.

March 16, 2018
Classical Music, Vocal & Choral
Live Review

Review: Human Requiem (Adelaide Festival)

A dynamic, intimate and moving reinterpretation of Brahms’ Requiem.

March 16, 2018
Classical Music, Orchestral
Live Review

Review: Nelson Freire plays the Emperor (Sydney Symphony Orchestra)

Donald Runnicles and Nelson Freire prove you can't take familiar music for granted.

March 15, 2018
Chamber, Classical Music
Live Review

Review: The Balanescu Quartet Retrospective (Adelaide Festival)

A colourful and energetic journey through the Quartet's musical worlds.

March 14, 2018

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