Review: Come From Away (Junkyard Dog Productions, Broadway)
The ‘little Canadian musical that could’ is headed to Melbourne, and Aussies are in for a treat.
The ‘little Canadian musical that could’ is headed to Melbourne, and Aussies are in for a treat.
A spectacular evening embracing the joy of nature and the drama of death.
A very entertaining, richly deserved tribute to one of our national treasures.
This adaptation of Erdman’s The Suicide fails to plumb the depths of its characters’ despair.
Lucy Kirkwood's intimate dystopia paints a world in which sacrifices must be made.
An excellent festival with an exciting vision for the future.
John Bell and John Gaden are a powerhouse duo in the starring roles, but this play about saving Paris could do with more tension.
A compelling but imperfect play by Michele Lee is elevated by its excellent, side-splitting cast.
Damien Ricketson and Adena Jacobs' The Howling Girls is an immersive, dream-like exploration of trauma and voice.
Hugo Weaving's brilliant Arturo Ui is terrifying because he's familiar.
Impressive Aussie/American led concert series proves music can be a religion.
A touching tribute to an absent artist and a superb account of Mahler Ten makes this evening a gift.
Andy Morton finds a beautiful balance between the intimate and the epic in his harbour-side Bohème.