Review: In the Heights (Blue Saint Productions)
An exuberant, uplifting musical given a bobby-dazzler of a production.
An exuberant, uplifting musical given a bobby-dazzler of a production.
An Austro-German program of two Classical works and two Romantic, long on youthful enthusiasm.
In this classic Mike Leigh play, an excellent cast reveals timeless personal and social anxieties in 1970s England.
From Gosfield’s spiky cactus needles to Lang’s hard-edged swagger, this was a cracking start to Ensemble Offspring’s 2018.
It's well worth spending a few hours with Ferruccio Furlanetto's Don.
A program focused on death with glimmers of light and hope.
A haunting lament of the body in conflict.
An extraordinary reminder of Bernstein's skill, craft and humanity, which will live long in the memory.
A well constructed less-is-more cabaret homage to 'the Princess'.
A lavish retelling of a less familiar story ballet.
A quadruple bill offering original expressions of dance and music.
A dynamic, intimate and moving reinterpretation of Brahms’ Requiem.
Donald Runnicles and Nelson Freire prove you can't take familiar music for granted.