Review: Vessel (Perth Festival)
A uniquely compelling, unforgettable coalescence of dance and installation.
March 4, 2018
Review: Hamlet (Adelaide Festival)
Brett Dean’s intense, immersive new opera makes for a thrilling start to this year’s Adelaide Festival.
March 3, 2018
Review: La Traviata (Opera Australia)
Nicole Car’s radiant debut as Violetta earns a rapturous standing ovation in a very special night.
March 2, 2018
Review: The King’s Singers with St George’s Cathedral Consort (Perth Concert Hall)
Two refined ensembles demonstrate the beauty of English choral singing.
March 1, 2018
Review: Heaven is Closed (Sydney Symphony Orchestra)
A buoyant, life-affirming concert from Lisa Batiashvili and the SSO.
March 1, 2018
Review: Taikoz and the SSO (Sydney Symphony Orchestra)
Taikoz and the SSO whip up a storm in the concert hall.
February 27, 2018
Review: Sabine Meyer & Alliage Quintett (Musica Viva)
Sabine Meyer and the Alliage Quintett kick off Musica Viva's 2018 with a carnival of orchestral favourites.
February 27, 2018
Review: Jordi Savall: Folías Antiguas & Criollas (Sydney Opera House)
Jordi Savall brought a subtle, understated warmth to this rich exploration of musical heritage.
February 26, 2018
Review: Soweto Gospel Choir (Adelaide Fringe)
So spiritual that it could have shaken the most ardent of atheists.
February 26, 2018
Review: Lethal Indifference (Sydney Theatre Company)
Emily Barclay gives a quietly gripping performance in this powerful play about family violence.
February 25, 2018
Review: Thomas Tallis’ England (Australian Brandenburg Orchestra)
Truly accomplished playing and a satisfying program make this a fitting start to the year.
February 24, 2018
Review: Top Girls (Sydney Theatre Company)
A dazzling production of a pioneering 1980s play that still feels painfully relevant.
February 22, 2018
Review: The Nose (Opera Australia)
Kosky's dazzling production of The Nose celebrates the grotesque and the absurd.
February 22, 2018