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Dance
Live Review

Review: The Sleeping Beauty (The Australian Ballet)

Misty Copeland makes a highly anticipated role debut in a breathtakingly beautiful production.

November 23, 2017
Classical Music, Opera
Live Review

Review: Girls of the Golden West (San Francisco Opera)

John Adams’ new opera proves there’s gold in them thar girls.

November 23, 2017
Theatre
Live Review

Review: Master Class (Subiaco Arts Centre)

Amanda Muggleton delivers caustic humour, flying insults and real vulnerability as Maria Callas.

November 20, 2017
Chamber, Classical Music
Live Review

Review: Ravel Impressions (Omega Ensemble)

Omega’s string quartet leaves a lasting impression.

November 20, 2017
Chamber, Classical Music
Live Review

Review: Huntington Estate Music Festival, Opening Weekend (Musica Viva)

Virtuosic playing by the Goldner and Danish String Quartets, and a star turn by pianist Olga Kern.

November 20, 2017
Classical Music, Orchestral
Live Review

Review: Asher Fisch Conducts Schumann (West Australian Symphony Orchestra)

The premiere of Paul Stanhope's much-anticipated Trombone Concerto receives a warm response.

November 20, 2017
Theatre
Live Review

Review: Muriel’s Wedding the Musical (Sydney Theatre Company)

With a fantastic score and a brilliant Muriel, the musical of the iconic film more than lives up to the hype.

November 19, 2017
Classical Music, Orchestral
Live Review

Review: Brahms Violin Concerto (Queensland Symphony Orchestra)

Barnabás Kelemen proves a charismatic replacement for Vengerov, while Alondra de la Parra conjures a glorious sonic realm for Ravel.

November 18, 2017
Chamber, Classical Music
Live Review

Review: Beginnings (Australian String Quartet)

A beautiful concert with a little gem of a piece by Alessandro Scarlatti.

November 17, 2017
Classical Music
Live Review

Review: The Routes of Slavery (Jordi Savall, Lincoln Center, NY)

Jordi Savall conjures joy out of misery in an ambitiously conceived evening.

November 17, 2017
Theatre
Live Review

Review: Scenes from a Marriage (Queensland Theatre)

A bruising night in the theatre with a play that pulls no punches.

November 17, 2017
Classical Music, Orchestral
Live Review

Review: Gripping Shostakovich (Sydney Symphony Orchestra)

Ashkenazy and Müller-Schott offer up a mighty sequel.

November 17, 2017
Classical Music, Opera
Live Review

Review: The Merry Widow (Opera Australia)

Homecoming queen Danielle de Niese sings and dances her way through this lavish new production.

November 17, 2017

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