Review: The End (Keiichiro Shibuya & Hatsune Miku, OzAsia)
Remarkable Australian premiere of a unique Japanese virtual opera.
October 4, 2017
Review: MSO Plays La Mer (Melbourne Symphony Orchestra)
A masterful seascape bookended by two youthful works.
October 3, 2017
Review: The Blue Mountains Opera Festival (The Escarpment Group)
A delightful combination of music, opera, food and wine in an exquisite setting.
October 2, 2017
Review: Verdi Requiem (WASO Chorus, WA Youth Orchestra)
A concert to remember, for all the right reasons, with the young musicians performing above expectations.
October 2, 2017
Review: Hotel – Part 2 (W!LD RICE, OzAsia Festival)
A solid finish to a Singaporean epic.
September 30, 2017
Review: Monet: The Flowers of War (National Gallery of Australia)
Profound sincerity and understated simplicity that touches the spirit.
September 30, 2017
Review: Hotel – Part 1 (W!LD RICE, OzAsia Festival)
Amenity rich Australian premiere a five star Hotel.
September 30, 2017
Review: Winterreise (Ferruccio Furlanetto, Opera Australia)
A mercurial winter journey from a powerful bass.
September 28, 2017
Review: Under Siege (Brisbane Festival)
A stunning visual interpretation of Farewell My Concubine.
September 28, 2017
Review: Saint-Saëns in the Morning (Sydney Symphony Orchestra)
Thatcher and the SSO pair a rare beast with a reimagined menagerie.
September 25, 2017
Review: Beautiful: The Carole King Musical (Michael Cassel)
Esther Hannaford charms as a Carole King with plenty of heart.
September 24, 2017
Review: Laser Beak Man (Brisbane Festival)
Stunning visuals allied with a bright pop score make for a winning show.
September 23, 2017
Review: As You Like It (Pop-up Globe)
Authentic Shakespeare at its joyous, interactive best in a recreation of the Globe.
September 22, 2017