Review: Orpheus (Brisbane Festival)
A not-to-be-missed refreshing interpretation of the Orpheus story.
September 13, 2017
Review: Alice’s Adventures in Wonderland (The Australian Ballet)
A visual feast that brings an iconic story to life.
September 12, 2017
Review: Inspiring Wagner (West Australian Symphony Orchestra)
Fisch and WASO deliver music-making to set the pulse racing.
September 7, 2017
Review: Grieg and Beyond (Australian Chamber Orchestra)
Bold, high-energy Grieg from Kraggerud and the ACO.
September 6, 2017
Review: Opera Double Bill (Queensland Conservatorium Griffith University)
Xenia Puskarz Thomas gives an excellent performance in Debussy and Ravel L‘enfant double bill.
September 2, 2017
Review: Manon (Operabox)
A gutsy attempt in which some moments soared while others fell short.
September 2, 2017
Review: Dusk (UKARIA 24)
Soprano Emma Pearson gives her all in Golijov’s monumental Ayre.
September 1, 2017
Review: La Vida Breve/Gianni Schicchi (State Opera of South Australia)
An utterly captivating and delightful experience that deserved a longer season.
September 1, 2017
Review: Swan Lake/Loch na hEala (Teaċ Daṁsa)
A Swan Lake set in Ireland that is tough yet beguilingly poetic.
August 31, 2017
Review: Takács Quartet (Musica Viva Australia)
Bold, energetic performances of works old and new.
August 30, 2017
Review: Simulacra By Intercurrent (Tura New Music)
Intercurrent demonstrates a contemporary music scene alive, evolving and thriving.
August 30, 2017
Review: Afternoon (UKARIA 24)
Exquisite performances of assorted Baroque works at UKARIA.
August 28, 2017
Review: Evening (UKARIA 24)
Curator James Crabb’s programme gets off to a promising start.
August 28, 2017