Review: The Merry Widow (West Australian Opera)
Bubbling over with opulence, it doesn't get more fun than this.
Bubbling over with opulence, it doesn't get more fun than this.
Old-fashioned G&S given a sparkling new production.
Fierce fiddling, and a lovely neo-romantic blend.
Three fine players, three distinctive compositional voices.
A high standard set at the beginning of a national tour.
Infectious sincerity, wild energy and impressive unity.
Glittering, honeyed sound and impressive coherence from Verbitsky and WASO.
A stunning production of Caryl Churchill's thrillingly inventive, shape-shifting play.
A compact concert bursting with fine chamber playing.
A joyous romp with a festively porous fourth wall.
A true story ballet that perfectly marries music with movement.
Shaham's forward and back Brahms odyssey appeals to head and heart.
Young Uzbek virtuoso lights up the Utzon to spectacular effect.