Review: High Noon (Sydney Symphony Orchestra)
A compact concert bursting with fine chamber playing.
July 7, 2017
Review: The Rover (Belvoir St Theatre)
A joyous romp with a festively porous fourth wall.
July 6, 2017
Review: The Winter’s Tale (The Royal Ballet, QPAC)
A true story ballet that perfectly marries music with movement.
July 6, 2017
Review: Orli Shaham in Recital (Sydney Symphony Orchestra)
Shaham's forward and back Brahms odyssey appeals to head and heart.
July 4, 2017
Review: Behzod Abduraimov (Utzon Series)
Young Uzbek virtuoso lights up the Utzon to spectacular effect.
July 3, 2017
Review: Melvyn Tan & Haydn’s Paris (Australian Haydn Ensemble)
Bouncy, characterful Mozart from Melvyn Tan and AHE.
July 2, 2017
Review: Archè (Melbourne Ballet Company)
A new look at one of ballet’s best-loved stories.
July 1, 2017
Review: Das Lied von der Erde (Melbourne Symphony Orchestra)
Two mature works superbly realised by the Melbourne Symphony Orchestra.
June 30, 2017
Review: Dutoit Conducts Colours of Spain (Sydney Symphony Orchestra)
Yuja Wang brings bucketloads of personality to Beethoven's First Piano Concerto.
June 30, 2017
Review: Bennelong (Bangarra Dance Theatre)
Bangarra fires on all cylinders in seminal tale of first contact.
June 30, 2017
Review: Woolf Works (The Royal Ballet)
A bold, adventurous ballet by Wayne McGregor that's thrilling and heartbreaking in equal measure.
June 30, 2017
Review: Intimate Mozart (Australian Chamber Orchestra)
Much to enjoy, but some missed programming opportunities.
June 27, 2017
Review: Strange Bedfellows – Bedlam (Adelaide Cabaret Festival)
Jacqui Dark and Kanen Breen offer a down and dirty good time in their new cabaret show.
June 27, 2017