Review: Souvenir (Meow Meow, Adelaide Cabaret Festival)
Kamikaze cabaret that didn't quite hit the target.
June 22, 2017
Review: Black (Le Gateau Chocolat, Adelaide Cabaret Festival)
A bittersweet but nourishing slice of the finest cabaret.
June 22, 2017
Review: Otello (Royal Opera, London)
Musical standards aid Kaufmann's debut, if production raises questions.
June 22, 2017
Review: Rosencrantz and Guildenstern are Dead (Old Vic, NT Live)
Daniel Radcliffe and Joshua McGuire star in the Old Vic production, soon to screen in Australia.
June 22, 2017
Review: Dahlesque (Adelaide Cabaret Festival)
Elise McCann's new show is a magical meeting of Roald Dahl's creative genius and real life.
June 19, 2017
Review: Cyrano de Bergerac (Sport for Jove)
A magical, transporting night of theatre with Damien Ryan firing on all fronts.
June 18, 2017
Review: Haydn’s Creation (Melbourne Symphony Orchestra)
A spritely and vibrant Creation from Sir Andrew Davis and the MSO.
June 16, 2017
Review: Anacréon & Pigmalion (Pinchgut Opera)
A complex interweaving of plots and realities – with fantastic music.
June 16, 2017
Review: Don Quixote (Sydney Symphony Orchestra)
Robertson, Clerici and the SSO deliver a cleverly planned programme, played with panache.
June 16, 2017
Review: Dianne Reeves (Adelaide Cabaret Festival)
Reeves stands masterfully in Ella Fitzgerald's shoes.
June 15, 2017
Review: The Theatre of Music (Ensemble 642)
A welcoming evening of friendly music making in an ornate setting.
June 15, 2017
Review: Steampunk Mozart (Perth Symphony Orchestra)
Clever programming and world class playing in the Midland Railway Workshops.
June 15, 2017
Review: Don Giovanni (Opera Holland Park)
Opera Holland Park springs a delightful surprise with a production set on the high seas.
June 13, 2017