Review: The Eisteddfod (Black Swan State Theatre Company)
Gripping, multi-hued portrayals in 70 minutes of deeply enthralling theatre.
June 25, 2017
Review: Pacifica Quartet (Musica Viva Australia)
Individual, instrumental brilliance balanced by a group cohesiveness and single-mindedness.
June 24, 2017
Review: Pelléas et Mélisande (Sydney Symphony Orchestra)
Painterly orchestral story-telling in Debussy’s only completed opera.
June 24, 2017
Review: Michael Feinstein’s Sinatra and Friends (Adelaide Cabaret Festival)
The man behind the piano now stands on top.
June 24, 2017
Review: Silence (Tasmanian Symphony Orchestra, Dark Mofo)
Listening to music and the spaces in between at Dark Mofo.
June 23, 2017
Review: Cunning Little Vixen (Victorian Opera)
A cunning and colourful response to Janáček’s extraordinary score.
June 23, 2017
Review: Souvenir (Meow Meow, Adelaide Cabaret Festival)
Kamikaze cabaret that didn't quite hit the target.
June 22, 2017
Review: Black (Le Gateau Chocolat, Adelaide Cabaret Festival)
A bittersweet but nourishing slice of the finest cabaret.
June 22, 2017
Review: Otello (Royal Opera, London)
Musical standards aid Kaufmann's debut, if production raises questions.
June 22, 2017
Review: Rosencrantz and Guildenstern are Dead (Old Vic, NT Live)
Daniel Radcliffe and Joshua McGuire star in the Old Vic production, soon to screen in Australia.
June 22, 2017
Review: Dahlesque (Adelaide Cabaret Festival)
Elise McCann's new show is a magical meeting of Roald Dahl's creative genius and real life.
June 19, 2017
Review: Cyrano de Bergerac (Sport for Jove)
A magical, transporting night of theatre with Damien Ryan firing on all fronts.
June 18, 2017
Review: Haydn’s Creation (Melbourne Symphony Orchestra)
A spritely and vibrant Creation from Sir Andrew Davis and the MSO.
June 16, 2017