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Classical Music, Opera, Vocal & Choral
Live Review

Review: Rossini Stabat Mater (Sydney Philharmonia Choirs)

Thrilling choral theatrics abound when the church goes to the opera.

May 7, 2017
Classical Music, Vocal & Choral
Live Review

Review: Choral Classics (St George’s Cathedral Consort)

Walton's The Twelve the highlight in the Consort's latest offering.

May 7, 2017
Classical Music, Orchestral
Live Review

Review: Hong Kong Philharmonic (Sydney Opera House)

Mahlerian big finish makes up for problematic choices earlier.

May 6, 2017
Chamber, Classical Music
Live Review

Review: Last Statement (Canberra International Music Festival)

An exceptional farewell from a young quartet with great potential.

May 5, 2017
Classical Music, Orchestral
Live Review

Review: Spanish Baroque (Australian Brandenburg Orchestra, Circa)

A compelling physical spectacle with a rich soundtrack.

May 4, 2017
Chamber, Classical Music
Live Review

Review: Half the Sky (Canberra International Music Festival)

A memorable and highly successful Promenade at the National Portrait Gallery.

May 4, 2017
Dance
Live Review

Review: Nutcracker – The Story of Clara (Australian Ballet)

Graeme Murphy's Australian retelling of the beloved ballet is as touching as ever 25 years on.

May 3, 2017
Chamber, Classical Music
Live Review

Review: The Velvet Revolution (Canberra International Music Festival)

Fragmentation and a French quartet continue the revolution.

May 3, 2017
Classical Music, Orchestral
Live Review

Review: Nordic Adventures (Adelaide Symphony Orchestra)

Norwegian conductor Eivind Aadland plays to the ASO’s strengths.

May 2, 2017
Dance
Live Review

Review: Orb (Sydney Dance Company)

Bonachela’s claustrophobic thriller scores a clear eight out of eight.

May 2, 2017
Chamber, Classical Music
Live Review

Review: Stalin’s Piano (Canberra International Music Festival)

A captivatingly scrapbooky interplay between piano and the voices of history.

May 1, 2017
Classical Music, Instrumental
Live Review

Review: Mahan Esfahani (Utzon Music Series)

Harpsichord wizard delivers all that is expected, and plenty more.

May 1, 2017
Classical Music, Orchestral
Live Review

Review: Beyond Baroque (Melbourne Chamber Orchestra)

Christopher Moore helps Bach family dynasty demonstrate long-term appeal.

April 30, 2017

Posts pagination

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