Review: Yidaki (William Barton, Adelaide Symphony Orchestra)
William Barton left the audience deeply moved by an experience that had touched them to the core.
William Barton left the audience deeply moved by an experience that had touched them to the core.
A fine outing of an underappreciated Passion – with a new HIP band to boot.
This farcical play-within-a-play is a real hoot.
Mulvany’s smart, funny and fast-paced farce picks up the foibles of history and runs with them.
Young dancers, both amateur and professional, deliver an exciting interpretation of William Golding’s novel.
Carl Vine's Hallucinations prove a hypnotic new addition to the trombone rep.
Baroque sacred music gets a theatrical makeover in a bold outing by the Melbourne Con.
Les Arts proves the madrigal is more than just a load of old nymphs and shepherds.
A mixed triple bill showcasing the physical power of contemporary ballet.
The classically trained opera turned indie pop singer delivers a night richly laden with artistry.
With telepathic ensemble work, the Grigoryan Brothers create an intimate atmosphere in which guitars sing.
A stylish, brooding take on Puccini's Tosca by West Australian Opera.
Bored with the idea of seeing yet another Butterfly performance? Think again. You will be in for a treat.