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Theatre
Live Review

Review: The Book of Mormon (John Frost, Princess Theatre)

With stellar cast and great music, The Book of Mormon is funny, irreverent and absurdly heartwarming.

February 4, 2017
Classical Music, Opera
Live Review

Review: La Traviata (Opera Australia)

Ermonela Jaho’s tragic heroine earns a well-deserved standing ovation.

February 4, 2017
Chamber, Classical Music, Instrumental, Opera, Orchestral, Vocal & Choral
Live Review

Review: Mozart 225: The New Complete Edition

The ne plus ultra of Mozart boxes: with curation like this, Amadeus’s 225th death-day box will be hard to surpass.

February 1, 2017
Musical Theatre & Cabaret
Live Review

Review: Cabaret (David M Hawkins, Hayes Theatre)

Too much f**king and not enough fun pulls Kander and Ebb's political teeth.

February 1, 2017
Theatre
Live Review

Review: Still Life (Dimitris Papaioannou, Sydney Festival)

90 minutes in the quarry of the damned feel like just that.

January 28, 2017
Classical Music, Orchestral
Live Review

Review: Vivaldi: The New Four Seasons + Dedications (Nigel Kennedy)

Every bit the performer, Kennedy’s music is a blast whether he’s playing Vivaldi or Hendrix.

January 28, 2017
Dance, Theatre
Live Review

Review: Institute (Gecko, Sydney Festival)

Full of fluid realities, Institute is visceral, troubling but beautifully wrought theatre that tugs at your emotions.

January 26, 2017
Chamber, Classical Music
Live Review

Review: Seraphim Trio (Tait Memorial Trust, London)

Aussie fire warms a dark winter's night in London.

January 24, 2017
Classical Music, Vocal & Choral
Live Review

Review: Dalmatica (Sydney Festival)

A meditative, atmospheric journey through a unique and fascinating corner of sacred music.

January 23, 2017
Classical Music, Opera
Live Review

Review: King Roger (Opera Australia, Sydney Festival)

Szymanowski rarity marries spectacular staging with an intense erotic charge.

January 21, 2017
Audiovisual, Classical Music
Live Review

Review: Sex, Lynch and Video Games (Sydney Festival)

Relentlessly obsessive and fragmented, Nicole Lizée's works tease apart familiar scenes and sounds.

January 20, 2017
Theatre
Live Review

Review: The Encounter (Complicite, Sydney Festival)

One man and his microphones make you believe you've been up the Amazon.

January 19, 2017
Theatre
Live Review

Review: The Testament of Mary (Sydney Theatre Company)

Alison Whyte delivers a stunning performance as a Mary who refuses to have her story dictated by others.

January 18, 2017

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