Krymov's puppets tell a darkly visual tale of Shostakovich and his time.

Declan Greene's queer farce gets audiences laughing hard and thinking even harder.

Simon Russell Beale’s Prospero really is such stuff as dreams are made on.

An attractive concert of chamber favourites kicks off Omega's year.

A perfect match creates a youthful supergroup of unfettered imagination and immense control.

Alondra de la Parra delivers provocative, persuasive Mahler in her first official outing as MD.

Vengerov launches Robertson's fourth season with a touch of Russian fire.

Joseph Nolan pulls out all the stops and is 'knighted' for his pains.

An off the rails, porcelain bus ride, exposing the worst of humanity.

With stunning sets and deftly built tension, Bell’s Tosca has earned its place in OA’s rep.

The Song Company delivers a strange yet compelling ‘kind-of-opera’ about an unusual musical life.

Great value in this accomplished presentation of a period piece, but not without irony.