Review: Singapore Symphony Orchestra (Sydney Opera House)
The Singapore Symphony slings a dazzling – and true-blue – Down Under debut.
The Singapore Symphony slings a dazzling – and true-blue – Down Under debut.
Who better to open a new venue than this brilliant all-round entertainer, who has his audience in stitches and close to tears.
Some stellar performances, but this satire set in the corridors of power in Canberra doesn't deliver on the promise of an "incisive deep dive".
Anton Chekhov's unhappy siblings updated in a well-acted adaptation with an Australian 'vibe'.
A powerfully staged reminder that, like everyone else, kings and gods struggle to deal with their own failings, weaknesses and desires.
A brilliant concert celebrating contemporary and classical works for cello and piano also explored the cello’s sonic properties with advanced playing techniques.
A top-notch staging of Amy Herzog's warm, wise and pithy play about two people from very different generations stuck in an uncertain present.
A starry night night of new contemporary works with Tara Gower's riveting Ripples shining hardest.
A playful, irreverent adaptation of Emily Brontë's doomy novel, delivered by a brilliant cast of British triple threats.
HKSO's Sydney debut ushers in the Lunar New Year with music ranging from Baroque to Canto-pop.
From its box of birds opener to Telemann at teatime, Salut! celebrates the span of the Baroque and 30 years of music-making.
A sumptuous, perfectly cast production of this rarely performed musical gives deeply satisfying context to some of Sondheim’s most loved songs.
At the top of a new Australian and international tour, The Necks cast a mesmerising spell.