Review: The Chronicles (Stephanie Lake Company & Sydney Festival)
Immaculate work from a company of 12 but there may be less to The Chronicles than meets the eye.
Immaculate work from a company of 12 but there may be less to The Chronicles than meets the eye.
This darkly comic one-hander about a neurotic, fatalistic gay comedian is reminiscent of Flea Bag and Baby Reindeer.
Christie Whelan Browne holds us in the palm of her hand in her hilarious yet moving, warts-and-all autobiographical cabaret.
Despite some strong storytelling and a terrific cast, this condensed musical adaptation of Tolkien's epic novel feels "Bagginsy".
It may be camp, but this Wagner-lite music drama still manages to deliver a cautionary tale about hubris and human folly amid the glitz and glamour.
It's Bach to the future as Madeleine Easton’s Akademie takes us on a journey to the stars.
The Wild West is a chaotic and brutal place in Dark Noon – no Good, lots of Bad, plenty of Ugly.
The trademark sideburns are salt and pepper these days, but Rufus Wainwright's voice and flair for drama remain as pure and powerful as ever.
The recent death of Eileen Kramer, aged 110, adds further poignancy to a contemporary dance work inspired by ancient myth.
The first theatre piece set in the court where this famous real-life murder trial took place is an immersive triumph.
If anything can rouse Sydney from its silly season torpor, Antigone in the Amazon is it.
Veterans of approachable al fresco Shakespeare tackle one of his less well known comedies.
If “Old MacDonald” is the limit of your farmyard experience, prepare for your view of rural life to be flipped on its head.