A fine cast led by Lauren Fagan as Tatyana brings Kasper Holten’s cerebral production to life, but it is Nicholas Jones as Lensky who steals the show and our hearts.

Libby O'Donovan has made a habit of delivering the goods; her new show continues the trend.

Under conductor Long Yu, the Shanghai Symphony Orchestra cooks up a storm.

Making her Australian debut, María Dueñas's uncompromising lyricism and impeccable control draws the audience into every note.

A fine production engages the mind; the richness and depth of Verdi’s melodic invention stuns the senses.

HIP Company starts its 2026 season with another example of its imaginative and carefully considered programming.

Built around a brilliant staging of Stravinsky’s ‘Soldier’s Tale’, this curatorial masterclass explores the art of innovation itself.

With a fine cast and design that’s a triumph of simplicity, this new play reminds Melbourne of the tragedy behind its largest and busiest bridge.

Shechter is a festival favourite in Australia but this time around, he disappoints.

Percussion maestro Timothy Constable escorts us on a joyride through a year that changed everything.

Eivind Aadland and the TSO fly high with an airing of composer Harry Sdraulig's reimagining of the ancient Greek myth.

OCMF strikes gold on its opening night with Lior, Nomad String Quartet and a diverse program spanning classical to contemporary.