Review: Mozart’s Fortepiano (Australian Brandenburg Orchestra)
★★★★½ Kristian Bezuidenhout paints a portrait of Amadeus in his own time. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★½ Kristian Bezuidenhout paints a portrait of Amadeus in his own time. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Simone Young leads an excellent ensemble through their most recent Mahlerian achievement. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Caroline O’Connor carries the ship, but too much is lost overboard. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Neat programme makes Gill’s 6×3 add up to rather more than 18. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Dutoit’s technicolor Ravel and Debussy, plus Berlioz with 350 singers! Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Surprisingly homogeneous excellence from quartet in transition. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Silence is key to Lewis's masterly Beethoven and Brahms.
One of the most profoundly thrilling and beautiful musical experiences of this reviewer’s life. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Stephen Hough performs an outstanding piano concerto to conclude the TSO’s Beethoven Celebration. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Even without an orchestra, the People’s Diva came, sang and conquered.
★★★★☆ A dramatically convincing production totally within Wagner’s world. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ohlsson delivers an incisive yet fulsomely poetic reading of Brahms' massive First Concerto.
The Bard’s last play is John Bell’s last show for the company – but he leaves us wanting more. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in