Review: Fly Away Peter (Sydney Chamber Opera)
Impressively staged and sung, Elliott Gyger’s important new work packs a punch.
May 3, 2015
Review: The Dream (Australian Ballet)
A slow start becomes a dream come true for Australian Ballet's Ashton tribute.
April 30, 2015
Review: ANZAC Day Salute (Sydney Symphony)
The Sydney Symphony pays tribute to the ANZACs through two Antipodean commissions. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
April 26, 2015
Review: Towards First Light (Adelaide Symphony Orchestra)
A majestic and noble memorial in the grand tradition of great orchestral choral music. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
April 24, 2015
Review: Behind the Beautiful Forevers (NT Live)
Docudrama meets quality soap opera in David Hare’s latest truth commission. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
April 22, 2015
Review: A View From The Bridge (NT Live)
Arthur Miller's 1950s morality play gets a stunning (and thoroughly modern) makeover.
April 22, 2015
Review: Miserere (Bel a cappella)
Sacred meets profane with Ockeghem up against Estonian shaman drums. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
April 19, 2015
Review: Big Sky (Selby & Friends)
An evening of sumptuous music making, from the plains of South America to war-torn Russia.
April 17, 2015
Review: Dido and Aeneas (Brisbane Baroque)
Dido laments while witches steal the show in Purcell’s one-act hit English opera. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
April 17, 2015
Review: Louis Lortie (Melbourne Recital Centre)
An unusual but inspired program proves entirely different and unfamiliar. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
April 16, 2015
Review: Lamentations for a Soldier (The Song Company)
An uplifting, spiritually cleansing and intelligently multi-cultural Gallipoli tribute.
April 16, 2015
Review: Concert 7 (Musica Viva Festival 2015)
A few inconsistencies fail to blight an otherwise exhilarating conclusion to this year's Festival.
April 13, 2015
Review: Max Emanuel Cenčić (Brisbane Baroque)
Camerata provides the five-star petrol for Cenčić’s Rolls Royce voice. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
April 13, 2015