Review: The Sixteen (Sydney Opera House)
One of the world's very finest choirs transports us to the gates of heaven.
March 10, 2015
Review: Frame of Mind (Sydney Dance Company)
An astonishing double bill of powerful, personal and poetic dance.
March 10, 2015
Review: The Song of the Earth (Tasmanian Symphony Orchestra)
The Tasmanian Symphony Orchestra offer a daring start to the season. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 9, 2015
Review: Postcards from Prague (The Song Company)
Andrea Keller's uniquely powerful music makes for a stunning season opener.
March 8, 2015
Review: Jesus’ Blood Never Failed Me Yet (Adelaide Festival)
Bryars’ residency ends with not with a bang, but with quiet and serious reflection. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 6, 2015
Review: Gavin Bryars Ensemble with guests (Adelaide Festival)
Herculean, three-act concert marathon a visual and aural feast. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 6, 2015
Review: Gavin Bryars Ensemble (Adelaide Festival)
The English composer’s unique and extraordinary music offers power and poetry. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 4, 2015
Review: Marilyn Forever (Adelaide Festival)
Bryars’ intimate, operatic look at Marilyn is steeped in beautiful melancholia. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 1, 2015
Review: Beethoven Nine (Sydney Symphony Orchestra)
Izn the David Robertson era at the SSO, anything can (and frequently does) happen.
February 28, 2015
Review: Handel: Heaven and Harmony (Australian Brandenburg Orchestra)
An ode to Handel featuring an ode by Handel, that St. Cecilia would be proud of. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 27, 2015
Review: Beckett Triptych (State Theatre Company of SA)
Three of Beckett's best short dramas leave a lasting impression.
February 26, 2015
Review: Omega Ensemble (Utzon Room)
The Sydney ensemble kicks off their 10th anniversary season in fine fashion.
February 26, 2015
Review: Tafelmusik House of Dreams (Musica Viva)
Music and art collide in a winning plot with more coincidences than the Da Vinci Code.
February 23, 2015