Review: Gavin Bryars Ensemble (Adelaide Festival)
The English composer’s unique and extraordinary music offers power and poetry. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 4, 2015
Review: Marilyn Forever (Adelaide Festival)
Bryars’ intimate, operatic look at Marilyn is steeped in beautiful melancholia. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 1, 2015
Review: Beethoven Nine (Sydney Symphony Orchestra)
Izn the David Robertson era at the SSO, anything can (and frequently does) happen.
February 28, 2015
Review: Handel: Heaven and Harmony (Australian Brandenburg Orchestra)
An ode to Handel featuring an ode by Handel, that St. Cecilia would be proud of. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 27, 2015
Review: Beckett Triptych (State Theatre Company of SA)
Three of Beckett's best short dramas leave a lasting impression.
February 26, 2015
Review: Omega Ensemble (Utzon Room)
The Sydney ensemble kicks off their 10th anniversary season in fine fashion.
February 26, 2015
Review: Tafelmusik House of Dreams (Musica Viva)
Music and art collide in a winning plot with more coincidences than the Da Vinci Code.
February 23, 2015
Review: Martin Wesley-Smith Concert (Sydney Con)
Bizarre, quirky, political and rebellious: the imaginative world of Martin Wesley-Smith. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 23, 2015
Review: A Musical Valentine (Melbourne Symphony Orchestra)
A spirited evening of music wows a grateful crowd of 10,000. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 18, 2015
Review: La Mer (Sydney Symphony Orchestra)
A stimulating and challenging program showed the orchestra on top form.
February 18, 2015
Review: Faust (Opera Australia)
McVicar's masterly Gounod pits devilish theatricals against Second Empire morals.
February 17, 2015
Review: Schumann 3 & 4 (Sydney Symphony Orchestra)
Tetzlaff’s Herculean Widmann concerto helps Robertson look forward and back. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 17, 2015
Review: The Naked Violin (Christian Tetzlaff)
Gutsy violinist lays everything bare in ripper recital. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 16, 2015