Review: Othello (State Theatre SA)
A gripping interpretation of Shakespeare's classic tale.
November 23, 2014
Review: The Secret Noise (Ensemble Offspring)
Damien Ricketson's immersive exploration of secret music is a trail-blazing triumph.
November 21, 2014
Review: Review: Mahler Symphony No 2 (MSO)
A marathon effort of Mahler’s challenging Resurrection Symphony.
November 20, 2014
Review: Marwood’s Serenade (Australian Chamber Orchestra)
Anthony Marwood and George Enescu co-star in an exquisitely conceived program.
November 20, 2014
Review: Jean-Efflam Bavouzet in Recital
French keyboard wizard reveals his classical side and revels in Ravel. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
November 18, 2014
Review: The Physics of Time (QSO, various soloists)
Messiaen packs out QPAC with a little help from Brian Cox. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
November 14, 2014
Review: Relativity (Australian String Quartet)
At last, a moment of calm communion in the midst of a messy musical divorce.
November 14, 2014
Review: Review: The Giacinto Scelsi Project (Decibel)
Understanding and subtly in eight works from “one of Australia’s most fearless musical ensembles.”
November 13, 2014
Review: Review: After Julia (Decibel)
Seven new works commissioned by Decibel inspired by Julia Gillard’s term as Prime Minister
November 11, 2014
Review: Review: Ray Chen (Musica Viva)
He came, he saw, he exuded charisma and he conquered.
November 10, 2014
Review: Review: Andreas Ottensamer (Utzon Music Series)
Austrian virtuoso proves a fitting end to Utzon chamber music recitals.
November 9, 2014
Review: Switzerland (Sydney Theatre Company)
A potent and thrilling symbiosis between actress and playwright.
November 9, 2014
Review: The Turn Of The Screw (Glyndebourne Touring Opera)
An opera and a production that punch well above their weight.
November 5, 2014