Rachmaninov and Tchaikovsky’s big guns, Medtner steals the show. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

An excellent, thoughtful, funny, well-staged play that needed just one more rehearsal. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Nott conducts Poulenc and Mahler with something of the night about them. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Johnny Greenwood’s a standout amongst an evening of mixed Beethovian pleasures. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

German pianist’s mixed bag of Haydn, Beethoven and Chopin to Hobart. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Simon Phillips' production of Verdi’s Otello opens with nearly all hands on the decks of a 21st-century aircraft carrier.

Musical travelogue intrigues with help from the odd whirling dervish.

Aussie director makes most of moving masterpiece. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

New work falls short despite fine performances and flashes of brilliance. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Ehnes is eloquent in Prokofiev, plus a Swedish rarity. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

An intimate, funny and at times deeply moving evening of song.

Sons may have been taken away for eunuchs, but audience had a ball. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in